beginnings
how I got started | During senior year of high school when
everyone was deciding on colleges to go to and which majors they wanted
to study, I chose to go to CSU Long Beach as an undeclared major. Two
weeks before the term started, my family approached me saying that they
didn't think it was the right route for me. I was shocked and asked what
they thought would be best; they thought it would be more fitting for
me to go to an art school. As soon as I got their approval, I quickly
looked up schools and found FIDM in Los Angeles. I applied, interviewed
and was accepted into the school. Everything happened one after another
and I was moving to Los Angeles. I chose FIDM because I liked its
appeal; I liked how everything they did, from the college class catalog
to their applications, was designed, and plus, I liked the location of
the campus. I admit that if I had done my research more, I probably
would have tried applying for the Fashion Institute of Technology in
NYC. FIDM was such a great place to begin my journey and introduce me
into the fashion industry because I learned everything there. There were
people of different levels entering the same time; there were those who
have been sewing since the age of 7 and those like me who have never
used a sewing machine, but have the creative drive. During my first
quarter, I learned how to sew and sketch. Before then, I have never
taken an art class. What kept me going was my passion for it. Everything
was all exciting and I just kept wanting to move forward and learn more
every day. I knew this was my calling and there wasn't any second
guessing that that I belonged in this industry. After receiving my AA in
Fashion Design, I received a full scholarship to continue my education
there for another year for the Advertising study in fashion design. The
application process was a little tough than the first time around; there
are about 100 students who applied, but about 10-11 people who were
accepted. I was one of the lucky ones. For this program, it was
basically a year spent on creating our first collections to show at the
annual fashion gala called Debut; it is this huge show shown in Santa
Monica. After I finished my studies at FIDM, I was asked to freelance
for them and created a gown for the Wizard of Oz exhibition. I have
also entered myself in design competitions like the one I did for
Ezekiel Girls in Orange County/Irvine. It's a competition where six
contestants create five looks and compete for prize money and have the
chance to have selected designs produced by them.
inspiration
why this job?| I suppose me choosing to become a designer really
stems from me not being able to ever find clothes that would fit me or
clothes with intriguing designs that fit and as well as being decently
priced. That was a major problem in high school for me when I was
looking for clothes that I wanted to wear, but could never find it. I
guess I knew that I was interested in fashion, but I just didn't know
that I would fall so hard for it. I really love the craft and the whole
process that goes into making clothing. People are really unaware of all
the work that goes into their clothing and don't understand that it
costs so much to get things done.
love
why I love this job!| What I mostly like about being a designer
is the creative freedom to pursue my personal vision and show others
what I believe is considered "beautiful."Â I love working on this
amazing craft of creating garments from scratch and my clients do really
appreciate the time and work that goes into one garment.
work
my typical day| When I meet a client, it begins with trying to
figuring out the purpose and what my client is looking for. I being
asking questions of things that they like, don't like, color themes or
their inspiration. I take all that information in and begin my rough
sketches; these sketches are the ones that aren't seen by the client. I
go through about 50 ideas and narrow it down to about ten to show to
the client. We then discuss details about fabrics, fabric treatments,
and whether I have sketched the right dress for them. If not, I will go
back to the drawing boards one more time and sketch what they are
looking for. Once the design is chosen, I begin making the garment. I
take their measurements and I drape and/or patter-draft to create the
patterns for the garments. I cut it in a sample fabric and sew that up
to create the sample dress. I fit that on the client in order to adjust
any problems and try to get it as close to the sketch as possible.
After that, I make corrections, cut it in the real fabric, and sew. This
process, depending on the design and how quickly we choose a design,
can take about a week or two. This is considering me working every day
for as many hours as I can stay up.
challenges
what they are | There are a lot of things wrong with the fashion
industry, but I think it is our job, as young designers to pave a new
way to work against the big companies. When I say big companies, I don't
only mean other well known, household designers like Marc Jacob, but
names like Walmart. It has to do with what America can afford. So
instead of fighting that, we need to work with it. That is a challenge,
especially as a freelancer, there are things I want to design and think
would be perfect, but it's the budget that I need to be aware of.
Another challenge I would say is the time and effort put into the
creations. For example, I barely got any sleep during my third year at
FIDM when I was creating my first collection. I ended up doing 13 looks
with 32 garments overall. It was a very hectic time; I was sewing with
friends at my apartment while taking nap shifts. The other would stay
awake so that they would wake us up if we slept for too long. Creating
that collection was the most work I have ever done in my life so far,
but it taught me a lot about how this industry is and how much hard work
is done behind the scenes. I don't let my fatigue hinder my performance
since I set a standard for myself when making the garments, because it
is the polished finished product that people will see. If a seam wasn't
done right, I would rip it out and do it over. Being tired was something
that I had to get over and get the work done because getting rid of a
garment piece wasn't an option for me.
upside
all about growth | The growth opportunities as a freelancer are
endless. I hope to be hired, as a freelancer or a permanent position, to
design for a well known company that I respect. A few names I would
love to work for includes 3.1. Phillip Lim, Marc Jacobs, or even
Alexander Wang. There are a lot more, but those always come to mind
first when I think of dream companies that I want to work for. I was
thinking about spending ten years working for others while learning a
lot along the way, and then start my own line. I say ten years because I
feel like that is a good amount of time for myself to get a position
high enough ow here I am designing alongside the head designer. I will
continue to work on my freelance work and slowly building my customer
base and interests. If a great opportunity comes by my way sooner than
that, I am more than willing to begin down that route. I tend to focus
more on women's clothing because they are a little more accepting to
eccentric designs, but I would love to help pioneer this transformation
that I want menswear to take on. My goal in this industry is to do
clothing for women, menswear, unisex clothing, and as well as bags,
accessories, houseware, and furniture.
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