beginnings
how I got started | I started out doing internships for radio
shows. At the time, I wanted to be a radio DJ and I recorded my own
shows. I listened to them afterward and was really disappointed in the
way they sounded. I started editing my tapes and found that I had more
fun doing that, so I got into editing. I worked for a classical music
radio show and then for "House of Blues". The internship eventually led
to a full-time job and now I produce the show.
inspiration
why this job?| I love music. I would listen to the radio as a
kid. There wasn't one particular show that I stuck to; I just listened
to everything. I think that's important actually. Before I started
this job, I knew nothing about blues. But working at a job and the
adaptive process itself can end up inspiring you. You have to be willing
to try new things. Of course, a love for the fundamentals of what you
do - in my case, music and editing - is essential.
love
why I love this job!| The music, the perks, lots of things. I
think radio's cool. The coolest part about this job is meeting the
musicians. I've met Mick Jagger. [Interviewer: But Mick Jagger isn't a
blues musician....] No, but Mick Jagger and the Rolling Stones were
heavily influenced by the blues; they named their band after a blues
song. I've also met BB King. In the past, people like Aerosmith, Eric
Clapton, they've all been on the show. Also, I get the perks of free
CDs, concert tickets, things like that which come with the music
business.
work
my typical day| How about I run you through the process of a
show. So a person will come in and I will personally do the interview,
record the interview on two tapes, one with my questions and one with
their answers. We'll transcribe the entire interview, take the questions
that I asked and write up a script for Dan Aykroyd. We send the script
to him and he records himself giving the interview. We then edit
everything together. If any of this sounds strange, it's actually pretty
common in radio shows that are hosted by celebrities. Live radios shows
are always live but celebrity-hosted ones are usually taped and edited
and that's what we do. As for the editing part, most days are spent
putting music together, editing songs into an interview where it's
appropriate or if we happen to reference that song. In addition, I spend
a lot of time sound-editing speech.
challenges
what they are | The job can be difficult at times. A lot of blues
musicians come from a non-educated background so a lot of them may not
have graduated high school. They're amazing musicians but they may not
speak eloquently. The trick for me is to take what they say and make
them sound like geniuses. Take out their "um's", pop their p's. You can
do all of that with sound editing.
upside
all about growth | Radio is on the decline but if you would have
asked me three years ago, I'd have said that satellite radio would kill
us. Over the years, that hasn't happened yet. Satellite radio hasn't had
the impact I thought it would. That doesn't mean radio's the best place
to be; people are hiring fewer DJs. Computers and robots are replacing
jobs.
On the bright side, there are great transferable skills. The editing
skill set. If I were hired to edit sound for a movie, I would have the
skills for that. Actual music production like making CDs, it's the same
skill set that you get from working in radio production. Anything with
editing sound.
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