beginnings
how I got started | I've always known myself to be creative,
whether it was through drawing, painting or taking snapshots. I could
shoot an entire roll of film in 20 minutes as a kid. When I went to
college, I started as a computer major, then moved into graphic arts and
finally studied photography. I also went to art school for 6 years and
got the basics of how to create a story through visual media and
photography. The biggest lesson I walked away with was how to say
something through visual means and get my ideas across, versus just
taking pretty pictures. In many ways I'm self-taught; I look at a lot of
work, I'm constantly taking photos and constantly learning from the
school of life.
inspiration
why this job?| I like the aspect that you can be in one place one
day doing one specific thing and the next day you can be some place
else doing something else. Photography is constantly changing and never
boring.
love
why I love this job!| The scenery is always changing and I don't
have to sit in an office. I love the freedom to create what I like
(based on customer parameters). I love the art and the beauty that comes
with my job. My life is photography. I llive, eat and breathe the
stuff. I walk down the street and see photographs and potential images
everywhere around me.
work
my typical day| Starting in the morning, sometimes very early, I
arrive at a shooting location with my team that includes an assistant,
makeup and hair artists, etc. I spend time prepping the scene, unpacking
lights, working with the makeup artists, taking pictures using the
stand ins and then I finally shoot the models. Depending on the start
time, I'll often shoot until four or five in the afternoon. My basic
day: Shoot, change locations and then shoot some more.
challenges
what they are | One challenge is being able to do other things
while making this career work. If you have to wait tables you have to
wait tables - you do what it takes to make the career work.
Another challenge is that as a location specialist, I often have to wait
for a certain day or right time of day to shoot. That could mean
waiting for a certain restaurant to be closed, or the right time of day
to shoot may be 4a.m.
upside
all about growth | You have to pay your dues. You can't just jump
out there and expect to be getting jobs shooting layouts at Vogue. You
have to have a name and have people know who you are. The ladder you
have to climb is based on credibility, reputation, who knows you. You
have to be really good at meeting people in the industry, such as
editors of magazines, and getting them to interview you and talk to you
and invite you to shoot a layout. You have to be able to win friends and
influence people in this job.
More Info
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